28 de enero de 2008

Febrero, Mes de las Canciones

En fawm.org están promoviendo escribir 14 canciones en Febrero:
It's time for the 5th annual February Album Writing Month! Here's the challenge: write 14½ songs in 29 days. Why? Because you know you want to. Sign up!

We normally only write 14 new songs in the 28 days of February here every year, but 2008 is LEAP FAWM, so we're encouraging everyone to write an extra "half song." Over the last few years we've seen more and more collaborative songwriting here (a few such songs are on this year's "fawmpilation" CD). So we thought we'd encourage everyone to give it a shot at least once. Don't worry if you're shy or think co-writing over the Internet is kinda weird... You're still a "winner" even if you only get to 14 songs or do it all by yourself. Any questions?
En The RPM Challenge se trata de grabar un álbum en Febrero:
This is the challenge: record an album in 29 days, just because you can.

That’s 10 songs or 35 minutes of original material recorded during the month of February. Go ahead… put it to tape.

It’s a little like National Novel Writing Month, (NaNoWriMo.org) where writers challenge each other to write 1,700 words a day for 30 days, or the great folks over at February Album Writing Month (fawm.org), who encourage artists to write 14 new songs in February. Maybe they don’t have “Grapes of Wrath” or “Abbey Road” at the end of the month, or maybe they do—but that’s not the point. The point is they get busy and stop waiting around for the muse to appear. Get the gears moving. Do something. You can’t write 1,700 words a day and not get better.

Don't wait for inspiration - taking action puts you in a position to get inspired. You'll stumble across ideas you would have never come up with otherwise, and maybe only because you were trying to meet a day’s quota of (song)writing. Show up and get something done, and invest in yourself and each other.

Anyone can come up with an excuse to say “no,” so don’t. Many of you are thinking “But, I can’t do that! I don’t have any songs/recording gear/money/blah blah blah...” But this doesn’t have to be the album, it’s just an album. Remember, this is an artistic exercise. Just do your best using what you have in order to get it done. If you have a four-track, become a four-track badass! A mini disc, a pro-tools rig, a Walkman, an 80’s tape recorder – use it. Do your best. Use the limitations of time and gear as an opportunity to explore things you might not try otherwise. If you can afford studio time in a “real” studio, fine, but let’s be completely free of any lingering idea that “good” records can only be made in a studio. If that were so, then all the old scratchy blues records or Alan Lomax field recordings that have changed our culture – the world’s culture – wouldn’t still resonate with us today as they do. Springsteen’s haunting classic “Nebraska” was a demo he did at home on a crappy machine. That album is fricking awesome. What label would put those recordings out now? (See: who cares) There are a million examples of this kind of stuff, but the fact will always be: Well written, honest music is compelling and undeniable no matter what it was recorded on. So put it to tape.